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We assessed the data of 100 chronic methamphetamine abusers and 100 matched-pair comparison participants. Primarily, we conducted an anamnesis with all methamphetamine abusers with regard to saliva dysfunctions, jaw clenching and pain in the temporomandibular joint. Subsequently, in the first part of the clinical enquiry, we tested the saliva flow rate and the total saliva production (ml/5 min) by using the sialometry method and the buffer capacity of saliva by determining the pH-value. In the second part of the clinical enquiry, we evaluated bruxism symptoms with respect to generalized tooth attrition, dentine exposure and visible enamel cracks and examined a potential muscle trismus by measuring the maximal opening of the mouth.
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Also, a quick note on the topic of high pass filters: use them. They can be your best friend, but be careful as they're a double-edged sword. HP filters can quickly clean mud from your mix and open things up, but too much can lead to a thin, weak-sounding mix equally as quick. When applying them, I like to come from the top down, as I find that easier to dial in properly. By that, I mean instead of rolling up an HP filter and listening until I think it's removed what I'm looking for, I start way above with "too much" HP filtering and roll it down until I feel that I have all the information on the bottom I need. I find it easier to hear the effect this way, which therefore allows me to more accurately and effectively control my low end.
Much of a B3's magic comes from good mic placement and the player (the right drawbar settings are game changers). EQ should be applied sparingly and mainly as a corrective measure. Usually it's good to look to anything clashing with the bass (80 to 180 Hz), and if it's feeling a little "chubby" in the middle and either can't get out of its own way or doesn't play nice with other mid-heavy instruments or guitars, look to make cuts somewhere between 300 to 500 Hz.
Three diverse drum kits for any situation - from pounding metal crashes to crackling dub snares. Fill your drum arsenal with over 2 GB of sounds, including 155 multi-sampled hits that capture the human feel of a professional drummer.
It had been decided that during this performance, once the bass players hadplayed their parts in the opening of the symphony, they were to quietly laydown their instruments and leave the stage, rather than sit on thier stoolslooking and feeling dumb for twenty minutes. Once they got backstage, someonesuggested that they trot across the street and quaff a few brews.
Hello! I want to take up playing piano again however due to the size of the house I am currently in I cannot fit anything more than a 61 key digital piano ? . By far the most most most important thing to me is the weighted feel, to make the keyboard feel as much like an acoustic piano as possible. I have looked through many reviews though it seems the 61 key digital keyboards all seem to lack this feature in exchange for others. Is this true? What would be your recommendation for a 61 key digital piano or keyboard that feels the most like an acoustic piano? Thanks!!! 076b4e4f54